“I see things that are easily overlooked. I am drawn not to grand gestures, but to quiet processes: how something takes shape, grows, changes, shifts and finds a new order. Images, forms, colours and situations imprint themselves on my mind and become part of a visual memory. Some impressions stay with me for years before resurfacing.

This way of seeing shapes my painting as much as my photography. In photographic series, I follow changes over long periods of time. In painting, something new emerges from what I have seen and remembered. The narrative does not lie in telling a story, but in what develops from these impressions.

Organic forms meet geometry, intuition meets precision, free movement meets deliberate structure. A painting develops through the act of making: forms, colours and lines are added, shifted, layered or discarded. Often this process continues beyond a single work – this is how my series emerge.

My art draws attention to the quiet and the easily overlooked – to what gets lost in the noise of our time.”